This is a documentary that deals exactly with what the title says. It explores what we mean by democracy now and what it has meant in the past. It looks at how fragile democracy has been and continues to be and draws on Greek philosophy – Plato, Renaissance and Enlightenment thinkers – Rousseau and modern political thinkers – Cornell West. The director told us at the start that the film originated four years ago before Trump or Doug Ford or other more recent troubling anti-democratic leaders, but serendipitously it was released at a time when we are all thinking about the state of our democratic institutions and how they are threatened. She also told us up front that she does not have the answers to where we are headed or how to preserve our democracy, but she does want to challenge us to think about what democracy really is and not take it all for granted. The film is not perfect, but I attended with a very politically engaged friend and afterwards we had much to talk about so, despite its flaws, I would say this is a very important film that raises many questions we need to consider as we confront our current situation. I fear I might enter into a long and tedious academic paper here, so I will wind up with a brief description of the thesis of the film. What is shown clearly is that we do not all share the same idea of democracy. Some see it as justice, others as personal freedom, some as socialist or communitarian action. We don’t all agree about who gets to participate, how we should be governed, or what needs to to be done to preserve whatever democracy we decide to implement. Plato argued, and Cornell West agreed, that democracy has within it the seeds of its own downfall. The trick is to see and understand that and find ways to preserve it. How we define it and how we preserve it is up to us, but it is clearly under threat and how we respond in the next short while will be critical to whether or not we continue to see ourselves as living in democracy. The director is writing a companion book that will delve into these themes in more depth and the film will be used by her and her colleagues to continue the conversation over the next several months. On a final note the film was funded primarily by our own National Film Board and that made me proud.

Errol Morris has made some amazing and important documentaries that have focussed on some of the most evil people in American government. Two of my favourites are The Fog of War which is an interview with Robert McNamara and The Known Unknowns, an interview with Donald Rumsfeld. In both these films Morris does not directly confront the subjects about their crimes but rather let the men hang themselves with their own words. He tries the same tactic with Bannon but perhaps to a somewhat less successful outcome. While all these men are very smart and defend their actions with smooth words and eloquence, Bannon is perhaps the most devious and satanic of the three. Some of those who saw the film with me were disappointed that Morris was not more confrontational, but I am not so sure that would have worked and Bannon would likely not have made the film. We do however get great insight to a man who sought to twist the American electorate and successfully steered Trump to victory in 2016. He manages in the film to hide the reality of his far-right agenda while arguing he is for the little guy, the traditional American middle-class worker but I think the film does expose him as the evil that he is. The two earlier films were done as straightforward interviews but his one plays with Bannon’s love of classic war films including Gregory Peck in Twelve O’Clock High and Alec Guinness in The Bridge over the River Kwai. In fact the setting for the interview is a Quonset Hut like the ones in Twelve O’Clock High. We also learn that Bannon is very well educated and quotes Lucifer from Paradise Lost, and Falstaff from Henry V. He does however misinterpret their roles and speeches to justify his own worldview. He is clearly very intelligent and I think believes he has turned the film into a tribute to himself. It is not however and while you do want to jump up and punch him in the face, I think Morris has given us an important portrait of a man who has hurt American badly and who is now trying to do the same to Europe. His impact is not over and maybe this film was made a bit too early to sum up his career as did Morris’s earlier portraits of McNamara and Rumsfeld, but things move more quickly these days and it good to know your enemy. Worth a look this one.

This is a somewhat unusual documentary. It is a very personal protest against the way in which MS is treated and how the pharmaceutical industry and the MS Society actually prey on victims of the disease and those who would help to fight it through charitable donations. MS is a complex and poorly understood illness that is treated with some powerful drugs by many neurologists while others support diet and exercise as alternatives. The director himself has a diagnosis of MS and so far, has done well by avoiding drug treatments and relying on diet and exercise. Sadly there is little long term research on the methods and effectiveness of various approaches. Embry argues in the film that such studies are discouraged by the pharmaceutical industry because evidence that their treatments are not effective in the long term would hurt them financially as would proof of alternative methods. Of course, the other aspect of the illness is its unpredictable prognosis. Some people decline rapidly while others appear to survive for many years with no significant symptoms and with no treatment. The lack of research is a huge problem that could be addressed by charitable associations like the MS Society but… there is another issue. The fact is that the MS Society solicits millions of dollars but spends over 80% on salaries and marketing and only 16% on research. A fact that Embry makes very clear. He has set up an alternative charity – MS Hope – that promotes his alternative approach to care but also does not have much more than anecdotal evidence to support it. I had mixed feelings about this film but it did convince me that charities like the MS Society are compromised, that we really can’t trust the pharmaceutical industry to look out for out best interests and we really need to fund some serious long-term studies on MS and MS treatments. I suspect this movie might have a limited audience unfortunately

http://www.tiff.net/tiff/living-proof/