The Martian – Director, Ridley Scott

This is one of the first Oscar nominated films I have seen so far this winter. Telling the tale of an astronaut isolated on Mars with only his wits to help him survive, it is thrilling, funny, uplifting and Matt Damon is excellent, carrying the film very much on his isolated shoulders.  With 3 of its 6 Oscar  nominations for sound and production design and visual effects it is also great to watch.  The science is mostly pretty good according the geeks who have seen it. Sure there are lots of misses and miscalculations to those who choose to pick at it but all forgivable in my opinion for an excellent cinematic ride.

The Man from U.N.C.L.E. – Director, Guy Ritchie

 

 

Hmmm one of my favourite 60’s TV series and one of my favourite directors, what could go wrong? Well nothing much really except that this movie was not quite the quality I had hoped for. I guess I was hoping for a new Bond franchise and it just didn’t happen. This is not to say it is a bad movie by any means. The cast is great especially Armie Hammer as Ilya Kuryakin, and Hugh Grant as Waverly. Henry Cavill is good as Napoleon Solo but then I was never impressed with Robert Vaughan in the role and I think it’s the role’s fault more than the actor’s. Anyway everyone always like David McCallum the best, Right? Reviewers were all over the map on this one and I have to admit those who dumped on it had a point. Ritchie fails to recreate the atmosphere of the original TV series but lets face its been 50 years since McCallum and Vaughn created the roles, that audience is aging fast, and the Cold War is old news at least the one from the 60’s. The series needed a reboot to make it interesting to contemporary audiences but I fear that although it was fun to watch, it just didn’t quite cut it. The ending clearly sets up the possibility of a sequel with the two stars and hopefully Ritchie behind the camera but with the lack of critical success it will, I fear, not make it to a second romp in the Cold War. Still its fun and worth your time.

Remember – Director, Atom Egoyan

I have to take a pledge not to watch any more Atom Egoyan films. This movie is simply absurd, terrible, hugely disappointing, ridiculous, and did I mention stupid?? Furthermore this film is described as one of Egoyan’s more accessible films. This is true. At least you know what is going on but what is going on is hardly worth your time. The story is of an elderly and disabled holocaust survivor played by Martin Landau who recruits a fellow client of his nursing home (played by Christopher Plummer– who is also ostensibly a survivor) to kill the Nazi officer who killed their families. While Landau is physically disabled, Plummer’s character is suffering from dementia and needs careful guidance to achieve his goal. I do not want to give away the plot or the absolutely absurd ending but enough to say – avoid this film. When I saw the cast and that this film was a selection at Venice and TIFF I thought I really needed to see it and give Egoyan one last chance to impress me. Sadly I was disappointed. This film that aims to treat the holocaust and dementia, trivializes both. Many reviewers who were not happy with the movie praised Plummer’s performance and I will admit he is very good except that one wonders what form of dementia he supposedly suffers from. The portrayal is like nothing you have ever witnessed so I blame the writer and the director for getting it all horribly wrong.

American Ultra – Director, Nima Nourizadeh

 

 

 

 

 

 

 

 

 

 

 

 

 

I was inspired to watch this movie because of Jesse Eisenberg and the premise plus a few online suggestions that it was one of the more underrated films of 2015. It had pretty terrible reviews on Rotten Tomaotes but nonetheless I was impressed despite the low rating. The movie is very strange and one is never sure whether to laugh or cry but mostly I laughed. It is incredibly violent but more in the style of Tarantino (though I would not put it in that category of quality) and tongue in cheek. So I would put this in the same category as Cop Car. It is interesting that the comments, unlike the reviews, on Rotten Tomatoes were almost universally positive and did not support the large number of negative critical reviews. There is no question that the critics misread their fans here. It’s no Oscar nominee but it is fun and deserving of more favourable opinion.

Eisenberg plays a young stoner who is living a pretty boring and uneventful life in small rural town. His girlfriend is clearly in love with him and he desperately wants to marry her and make her happy but his attempts to propose and take her away on a celebratory holiday are stymied by the fact that for some reason he just can’t leave town. Any time he tries he falls violently ill. Unbeknownst to him however he is the result of a secret CIA experiment to turn out the perfect secret agent and a highly trained killer. He has been brainwashed or at least brain wiped and has no memory of his role or his skills. Internal squabbles at CIA headquarters results in a decision to have him terminated as a failed experiment but the agent who trained him decides to save him and travels to the town to “wake him up”. The resulting chaos, confusion and copious bloodshed is the rest of the film. Again, like Cop Car, not the stuff of Tarantino or Coen Bros. but worth the 90 minutes of B movie thrills and fun.

Cop Car – Director, John Watts

Gotta love Kevin Bacon. This may not be the best movie he has ever made but it is a lot of fun. Set in rural America, two 10-year-old boys out exploring in grassland find an abandoned police cruiser, unlocked, with the key in the ignition. Not able to resist they steal it and take off. Of course you wonder how an abandoned police cruiser would ever find its way to so remote a spot and with no police around and the film answers with a flashback to Kevin Bacon as the cop arriving, opening the trunk, and dragging a body out to be buried in an unmarked grave. He assumes of course that the car will not be disturbed but does not count on the kids. The balance of the film continues with Bacon, clearly a psychotic killer and cop, trying to retrieve his vehicle before the police department finds out about his way of dealing out justice.

Cop Car premiered at Sundance and so it is interesting that this movie was little noticed. To be fair, despite the violence and story line it is neither the stuff of Tarantino or the Coen Brothers but if you don’t pay too much attention to that you will have thrilling ride with a film that, as a NYT reviewer noted ” doesn’t ask much of you narratively or ethically.” A good comment.

Mad Max: Fury Road – Director, George Miller


This reboot of the Mad Max franchise is a visual extravaganza with wonderful performances from Tom Hardy and Charlize Theron. While I enjoyed it very much and clearly so did the Academy of Motion Picture Arts, I am like many who saw the new Star Wars movie. Yes its great but…. The original was much more mind blowing if you were lucky enough to be around and see it for the first time in 1977. The original Mad Max with a very young Mel Gibson came out in 1979 and was a great sci-fi post-apocalyptic vision with a pretty low budget. It rocketed Gibson to international fame and its sequel Mad Max 2: The Road Warrior (1981) was a brilliant follow up. There is no question that this latest take directed by the same director but 35 years later is very good and very special but it’s a sequel and a reboot and it just didn’t grab me the way the original did. So that’s the perspective of a 66 year old movie reviewer. It is interesting that a movie like Mad Max can have a much greater impact when it is first released in the context of movies of the time then it can to younger fans who see it 10 or 20 years later in a world already influenced by those films. It is less of a thrill and less of a novelty and clearly no longer ground breaking since it already did that previously. I will riff on this a bit more in my review of the new Star Wars movie. But for all my reaction from the perspective of an old movie fan don’t get me wrong, this a really fun movie and a great ride just not the same one I was on in 1979.

What We Do in the Shadows – Directors, Jemaine Clement, Taika Waititi

 

 

 

 

 

 

 

 

 

 

 

 

As the movie poster suggests, this film is hilarious. It is a very low budget New Zealand mockumentary about a group of four vampires living in modern day Wellington New Zealand. The vampires vary in age from just under 200 years old to over 8000 years old. It chronicles the day to day… make that night to night travails and problems of being undead in contemporary Wellington. From arguments over who will do the dishes, making sure the drapes are drawn at dawn and waking up Peter the 8000-year-old guy who lives in the basement we follow them on various adventures around town. These include befriending a human who they decide not to kill themselves but who is ultimately turned into a werewolf and a new take on racism as the vampires realize that werewolves do not pee on everything and are actually fairly civilized at least when the moon is not full. I highly recommend this for a relaxing evening when you really can’t take anything very seriously and want to just relax in great satire.

It should be noted that director Taika Waititi is working on the new Thor picture due to be released in November 2017. A big reward for a talented young director who stumbled with Green Lantern in 2011 but I suspect will do much better with Thor.

The Hateful Eight – Director, Quentin Tarantino

If you like Tarantino, you will like this movie and if you don’t you won’t. Personally I am a big fan and loved this movie. Set in a single room for most of the 187 minutes it all hangs on the acting and that is top notch. Samuel L. Jackson and Kurt Russell as the leads are very good but the best performance is turned in by the only major female character played by Jennifer Jason Leigh. The supporting cast are also all wonderful with great performances in particular from Tim Roth and Bruce Dern. The claustrophobic setting lends great tension to a movie that sparkles all the way through. I am tempted to look at my watch in any movies that extend past 90 minutes but not this time. One is never sure about the agenda of each character or who is going to die in some over the top violent manner until the final twist ending(s) and the script and timing keep you on the edge of you seat throughout. Great stuff delivered with skill and humour from Tarantino who continues to improve with each outing.

Very Semi-Serious – Director, Leah Wolchok

The subtitle for this HBO documentary film is: A Partially Thorough Portrait of New Yorker Cartoonists. I have to admit I am a New Yorker cartoon addict. I get the magazine every week and like the old Playboy joke – I do read it for the articles but first I flip through and read all the cartoons. To get a chance to learn how they get chosen, who draws them, and who the editor is, was a chance not to be missed. Best of all I saw it at the Bloor Cinema – home of the Hot Docs festival and the New Yorker’s cartoonist and cartoon editor, Bob Mankoff was there for a Q and A after the showing. The film took 7 years to put together and includes interviews with many of the better know cartoonists who are fascinating and often unusually strange people themselves. We learn a great deal about how the cartoons are chosen and how Bob Mankoff works with the contributors to improve and enhance their work including such factoids as: Mankoff goes through 1000 cartoon submissions a week to choose 15 to be published. He does this often by meeting with the cartoonists personally each week in his office to discuss and critique their submissions. He cares deeply about the art of cartooning and uses his job as editor to build and support the small group of active cartoonists. Cartooning is a slowly dying art with fewer publications publishing them each year. To ensure the continuance and renewal of the art Mankoff deliberately works with younger contributors who will hopefully replace the current old timers like himself. He has been remarkably successful. The Q and A after the film was brilliant with Mankoff being a sharp and witty in person as he is on the pages of the New Yorker. If you are a fan you can also read his book titled after one of his more iconic cartoon captions: How about never. Is never good for you?

Star Wars: The Force Awakens – Director, J. J. Abrams

Okay this movie is likely to make more money than any movie in history and has had great reviews ranking in the 90’s on Rotten Tomatoes and generally could not miss as a hit. It is not 1977 however, and this is not Star Wars Episode IV: A New Hope which set the stage for all the special effects blockbusters to follow. Those of us who were stunned and thrilled by the first movie will be a tad disappointed in this one but that is not to say it is not great fun. There is much to like and lots of nostalgia to enjoy. There is a real challenge with rebooting a franchise like this. Abrams did an awesome job with Star Trek but this was by far a bigger challenge. He has to deal with the old characters and old story, introduce the new cast and set the stage for the next 2 movies in the trilogy. That is a lot to do in one movie but I believe they were successful. I enjoyed every moment of it.

There a few plot issues like how the new lead star managed to learn how to do Jedi mind tricks all on her own and it worked and that is not the only one. Time to suspend disbelief dear readers and just relax. After the movie when my guests were discussing this scene in particular our youngest guest (9 y.o.) noted that “The Force is strong in this one”. Nuff said. Enjoy.