This is the third remake of the original 1937 A Star is Born and like the others really didn’t need to be made. The original and two of the three remakes including this one are highly rated but I am not sure why. I should confess that I really don’t like movies about romances between successful musicians or the troubles they have. In this case Bradley Cooper a burned out rock musician wanders randomly into a gay nightclub/bar and hears the only female performer sing and “instantly” sees her as a major talent and falls deeply in love with her right away. She has given up on her career (stop me if you heard this plot before) but he encourages her to persist and of course she becomes hugely successful while he crashes and burns. Yawn. I really like Lady Gaga but as a singer not an actor and Cooper, who has been nominated for Oscars in the past, really does nothing for me in this film. Still somehow A Star is Born has been nominated for Best Picture, Best Actress, Best Actor, Best Director etc not only by the Academy but also by the Golden Globes and BAFTA’s. So far it has only won for Best Song and Best Music which may be justified. After all I like Lady Gaga and if her song wins I will not complain but I will beg Hollywood to stop making and remaking this stupid movie.
I was not sure I wanted to see this movie. I like Marvel movies for the most part but they are normally live action while this was not only animated but not a very traditional story – for example Peter Parker dies right at the start. The premise of the film is the creation of a new Spider-man, Miles Morales, the son of a black New York cop and a Latino mother. The villains are the traditional Marvel baddies like The Kingpin and some variations like a female Dr. Octopus. The Kingpin has built a device to create a bridge to other dimensions which draws several spider-men/women into our universe and who team up to train Miles to use his new powers and save our universe from destruction. I was prepared not to like this movie but ended up loving it. The animation was great, the script had humour and paid great homage to the original comics and to the Marvel live action films that preceded it. Some have suggested it is one of the best ever super hero movies and I would not disagree. There is even an animated cameo of Stan Lee. Just perfect. You do have to be a bit of a Marvel comics fan to get into this one but even if you are not I recommend having a look. If it is not obvious from this review, I suspect this is a cinch to win the Oscar for Best Animated Feature. It has already won the Golden Globe and BAFTA so… not likely it can lose.
Nominees: Bao, Weekends, Animal Behaviour, One Small Step, and Late Afternoon
The Short film categories are always interesting and a refreshing break from the feature film categories which this year are, for the most part not very memorable or have been sullied by the behaviour of the actors, writers or directors. This year’s nominees for Best Animated Short film are all very different from each other in style and design. Three are from Canadian directors and if you are from Toronto you will recognize the skyline in Bao and Weekends despite both being credited as from the USA. Animal Behaviour comes from the perennially nominated National Film Board. So comments. With the exception of Animal Behaviour all the other nominees have some heart-breaking elements to them which gives them a dimension that some, who are not fans of animated films, may find difficult.
Lets start with One Small Step which was I think the weakest of the five nominated films. It’s a story about a young girl from humble origins that realizes her dream of being an astronaut and going to the moon. The story about her dreams and her relationship with her father is engaging but there is nothing very surprising or interesting in the story so while it is pleasant to watch it is not the winner.
Late Afternoon is more touching as it shows a young woman helping her mother pack up her belongings. It is clear that the mother has early dementia and the packing up is the packing up of her life. At first she doesn’t seem to recognize her daughter but at the end the connection is made making the film bittersweet. Still I would say more sweet than bitter.
Weekends is about a young boy whose parents are divorced and he has to deal with visiting his father on the weekends and coping with his mother as she enters a new relationship. I am not sure the writers and directors knew what they really wanted to do with the story but the animation was very interesting to watch. It speaks somewhat to the issue I have with animated films. This is not the sort of animation you are used to with Pixar or Disney films but it is still excellent and interesting and evocative of the theme of the film.
Animal Behaviour is the NFB entry and was a bit of a relief from the heavier themes of the other films. It is set in a group therapy session with a dog as the therapist and slug, a pig, a small bird, a cat, and a female praying mantis. All goes relatively normally until a huge gorilla with anger issues joins the group. Hilarity follows. I liked it a lot but must admit that this may have had something to do with having something to laugh at.
Bao is likely the best of the lot although I confess, I found the story a bit difficult to follow and I am not sure I like the fact that it is a Pixar production. The animation is exquisite as one would expect from Pixar and it has a sense of humour but some sort of shocking elements as well. It focusses on a Chinese family making bao (a steamed bun with a vegetable or meat filling). One of the bao comes alive and becomes a child that grows up into its difficult teens. I will not spoil the rest but while it sounds humourous I would warn you that it has some heavier elements to it. I suspect it will win the Oscar but I think maybe I would prefer Weekends or Animal Behaviour.
I will start this review with full disclosure. In my opinion Wes Anderson has not made any bad movies and has made many great movies. This one is one of his best. The hard bit is assessing his animated features and comparing them to his live action films but one constant is that none of the films are conventional.
If you are dog lover this movie will be good reinforcement. It is set in Japan and a city where the mayor is a dog hater. An epidemic spreads among the dogs in the city and the mayor uses this as an excuse to exile all the dogs to an island off the coast that is used as a garbage dump. The dogs are left to fend for themselves but a young boy – the adopted son of the mayor – has lost his pet dog to the island and he goes in search of him gaining the support of a pack of exiled dogs. They explore an immense wilderness of waste, garbage and processing Meanwhile scientists are working on a cure for the epidemic and there is a resistance among the young people in the town who support repatriation. The story is very complex and the film is a wee bit too long but the animation is superb and the story is ultimately charming and engaging. I particularly like the personalities of the dogs we meet as performed by the likes of Bryan Cranston, Edward Norton. Bill Murray and Scarlett Johansson.
This film is up for a 2019 animation award as Best Animated feature film. I find it hard to evaluate animated films. They are all so different in style and design and of course there is the script and acting to evaluate. I feel like they are not adequately respected by the industry or at least by the academy. They get their own category but it’s a bit of a nod to a group not to be taken to seriously. Few are ever nominated for Best Picture and never win. I think they should be considered for Screenplay, Directing, most of the technical awards and of course, Best Picture. This ends my short rant.