Category Archives: Comedy

My Internship in Canada – Director – Philippe Falardeau

After seeing Black Mass we headed off to see this new Canadian satire. It was a relief. Light and funny and definitely to the point in its skewering of politics not only in Canada but in any democratic society. The issue the director wanted to address was the fact that politicians are not really free to vote their feelings or conscience on any issue. In parliamentary democracies particularly they vote the party line. The film speculates on the possibility of a politician actually having to make a free decision. The hero of the film is an independent member of parliament from a Quebec rural riding. He finds himself in the situation of being the deciding vote on whether or not Canada should send troops to a foreign war. He is aided in his situation by a young intern from Haiti who is there to learn about the political process. The result is a hilarious look at the political system we all suffer under. Although the story is entirely fictional (wink wink) there is a not too subtle portrayal of our Conservative PM, Quebec politics and the situation on which the film based really happened when Harper asked parliament to approve his latest military adventure. The twist is that the deciding vote rests with a poor independent MP who just wants to do what is best for his constituents.

Falardeau is a very good director responsible for one of my favourite movies of all time Monsieur Lazhar and several other critically acclaimed films. He was there along with the lead actor Patrick Huard. They were charming, funny, and totally engaged the audience. Among the things we learned in the Q and A was that the young Haitian actor Irduns Exantus who played the intern is not a professional actor and this role was his first ever in any kind of acting capacity. He was wonderful. Much of the cast extras – first nations people, truckers, average citizens etc were all locals from the region where the fictional riding existed. It made for a really natural and real portrayal of the situations in which politicians find themselves. Without going into specific scenes I cannot express the simple joy of watching this film unfold. Really enjoyable and out shortly so no excuses, support Canadian cinema, this great director and enjoy yourselves.

The Lady in the Van – Director — Nicholas Hytner

There are two obvious reasons to see this movie, Maggie Smith and Alan Bennett (the writer). Those of you who do not know Alan Bennett are clearly not Beyond the Fringe fans. Beyond the Fringe was the most brilliantly funny stage show ever (yes funnier than Monty Python or the Goons and starring Alan Bennett, Peter Cook, Dudley Moore and Jonathan Miller – okay my random plug for my favourite comedy troupe). Bennett however became and is an accomplished playwright and is a very funny and observant writer about the human condition. This autobiographical story is a great example of his style, wit and insight. The story is based on a real life situation in which a remarkable homeless woman played by Maggie Smith takes up residence in her van in Bennett’s driveway in an upper class neighborhood in London. Its intended she will squat there for a few months but ends up living there for 15 years until her death. There is mystery about her. She is in many ways a typical homeless person, malnourished, rude and cranky, and unsanitary. On the other hand she is clearly well educated, had trained to be a nun at one point and as it turns out is an accomplished pianist. None of her story is evident at the start but is slowly revealed over the course of the film. Maggie Smith gives an OSCAR worthy performance and the film will be in general release this fall so you can all judge for yourselves shortly.

The story of the film is about the relationship between the two and juxtaposes their relationship with Bennett’s relationship with his own mother who declines into dementia over the course of the film. While his mother declines, Maggie Smith’s character, who suffers from her own mental illness, thrives in her van. I, like most of the audience I am sure, could not stop thinking of their own mothers as the story unfolds. I confess to shedding a few tears not so much out of sadness as sympathy for the woman and the story.

We were lucky to have the director present for a Q and A and he was wonderful. It turns out he was Bennett’s neighbour through part of the 15 years the Lady lived in Bennett’s drive and continues to live just around the block. He also directed all of Alan Bennett’s plays in the West End including the theatrical debut in 1999 on which the film is based. Hytner is the former artistic director of London’s National Theatre and as I noted a charming, thoughtful speaker. He gave us much background about the film, the people and the neighbourhood. He also concurred with me that Maggie Smith is the best actor working today and possibly the best actor ever or certainly of our life time. I also would be remiss not to mention the performance of Alex Jennings as Alan Bennett. Apparently Bennett believed Jennings gave a far better performance as Alan Bennett than he could so Jennings got the part. I suspect Jennings deserves a nod at awards ceremonies too. I can’t recommend this film more highly to everyone. One of the best I have ever seen at TIFF in over 20 years.

Hector and the Search for Happiness – Peter Chelsom, Director

I had high hopes for this movie. Simon Pegg is one of a group of British comic actors who did films like Shaun of the Dead, Hot Fuzz and The World’s End. He also was the perfect Scottie in the Star Trek reboot but here he is trivial and trite. The film follows a psychiatrist who goes off on a round the world quest to find himself and the meaning of happiness. All we get are a bunch of clichés like “Happiness is being loved for who you really are.” Or “Nostalgia is not what it used to be”. It was stupendously disappointing. Now I caution that some may like this film and you really have to like Simon Pegg (and I do) but if you don’t want to be disappointed as I was in the star. I could not find the words until I found this review that says it all.

“Looking to run fortune cookie writers and the post card industry out of business in one fell swoop, Peter Chelsom’s Hector and the Search for Happiness is not a film meant for cynics. With its pithy musings on what it means to be content, and slideshow approach to giving those musings an air of worldly wisdom, it asks the viewer to suspend not just disbelief, but emotional continence. If you’re capable of that, it will no doubt prove a wildly exciting and uplifting story of self-discovery. Keep even a shred of your self-awareness about you, and the empty enlightenment Hector and the Search for Happiness is offering becomes as grating as it is pat.”

http://www.tiff.net/festivals/thefestival/programmes/specialpresentations/hector-and-the-search-for-happiness


Breakup Buddies – Ning Hao, Director

This is a Chinese movie. It is entirely in Mandarin with really bad subtitles. It is apparently a classic of the genre (road trip) but to be honest I did not like it, could not follow the plot and ultimately did not care either way. I think this is a cultural thing totally. I do not get Chinese cinema at all. So while there were some very funny scenes and some spectacular scenery the movie left me cold. So unless you can understand Mandarin stay away. I sadly made a very bad choice here.

http://www.tiff.net/festivals/thefestival/programmes/specialpresentations/breakup-buddies

Rock the Casbah – Director, Laila Marrakchi

Rock the Casbah is set in Morocco and is all in French and Arabic with just a smattering of English. This was really fun to watch. Although if I tell you the whole plot you will wonder how I could have found it so. It includes a suicide resulting from a pregnancy from an incestuous relationship, a bastard son who only learns who his father is at the end of the movie, a father who has an affair with the maid/nanny who has lived with the family for 30 years, an estranged daughter who has run off to America and… well so it goes. Nonetheless the movie is charming, humane, funny, and very entertaining and it all works out in the end. The stars are the women (the mother, maid, and three daughters) and they all play an equal role in making the film come together. The members of this apparently dysfunctional family come together for a three day funeral event for their suddenly deceased patriarch who is, of course the source of all the problems, and who is played by Omar Sharif. How does Sharif play a dead person? Well he is the narrator and appears as a character watching the events of his funeral unfold and he is wonderful in the role. Over the three days of the funeral event the secrets all come out one by one creating division and distress but in the end bringing everyone closer together. There is a great scene near the end of the film with them all at a window welcoming the arrival of the American husband of the estranged daughter. His arrival of course brings the entire family together at last. At the very end with the entire family laughing and clearly reconciled, Sharif faces the audience and comments: When I was young, my mother told me: “Never cause a woman to cry my son because God will count all the tears.” He smiles and shrugs and shuffles off down the garden path. Lovely film.

The Love Punch – Director, Joel Hopkins

So Friday started out with another light heist/romantic comedy story starring Pierce Brosnan and Emma Thompson. Unlike The Art of the Steal, this film is “sophisticated” and not just because everyone in it has an English or a French accent. It is a light hearted romp as four amateur thieves plot to steal an enormous diamond from one of the world’s richest and nastiest men. What makes this movie a treat is not so much the absurd plot but rather the acting chemistry between Brosnan and Thompson who sparkle on the screen together. I also have to give great credit to Timothy Spall, far right in the picture, who brings some great comic relief (if that is possible in a comedy) to the film. The dialogue in this one is witty and bright rather than fast paced and sharp like the Art of the Steal. Also the director could not resist poking fun at Brosnan’s run as James Bond. There are not a few scenes where he mocks that period in Brosnan’s career including a great car chase scene in which Emma Thompson makes a total fool of the former Bond. Oh right – the romantic comedy part. Brosnan and Thompson play a long divorced couple forced to come together to steal the diamond. I won’t spoil the movie by explaining why they are pushed together but only that of course the old flames are re-ignited. A wonderful and relaxing movie with two old pros having fun.

The Art of the Steal – Director, Jonathan Sobel

Awesome movie. Great trash. After a very insightful but depressing and emotionally draining day in the Middle East I was ready for this movie. A comic con/heist film in the grand tradition of same and Canadian as maple syrup. The cast is pictured above with the exception of Jason Jones (Canadian comic seen most on The Daily Show.) and Terrence Stamp. The director is from Niagara Falls – our side — Jones is from Hamilton and, turning in a tour de force performance, from Montreal, is Jay Baruchel (Tropic Thunder, Goon, and The Trotsky to name but a few of his credits). This a smart, well written, fast paced comedy with some accomplished actors clearly having a great time. Kurt Russell plays an ex art thief who now, down on his luck, works as a third rate motorcycle stunt driver. He is drawn into a plot to steal and sell a Gutenberg Press edition of the Gospel of James by his half-brother (Matt Dillon) who years earlier had betrayed Russell and sent him to a Polish prison. It’s complicated but Russell is clearly out for revenge. The story races along until the inevitable twist ending that is entirely satisfying. Jay Baruchel plays Russell’s incompetent sidekick and Jason Jones is the Interpol agent chasing them all. Great fun. If you need a night out at the movies to forget your troubles and woes head for this one and you will leave completely refreshed.

Palestine Stereo – Director, Rashid Masharawi

As I noted in my review of 12 Years a Slave I hurried to see this movie arriving just in time to find the escalator to the theatres broken and only minutes to get to cinema 14. Puff puff, I made it and it was really worth the effort. I do not think this movie will win any awards but not because it is not an charming and important film. The story is about two brothers living in Ramallah on the West Bank in occupied Palestine. The elder brother’s apartment block was bombed by the Israeli military to kill some terrorists but the collateral damage was that his wife was also killed and his younger brother was left deaf and dumb from the experience. Together they decide enough is enough and they work to raise $10K to fund emigration to…Canada. They raise the money by working as sound engineers for everything from weddings to government speeches to protests by Hamas or Hezbollah who however will pay them. In the course of raising the money they of course come to see that running away to Canada is ultimately no solution. The reasons to stay are multiple including family, love, politics and just helping their fellow Palestinians get by. It is a light film about a serious issue. I couldn’t help thinking and learning how hard it is to even think of emigration from your home. The other important message which the director emphasized to us in the Q and A afterwards was that most Palestinians are not interested in war or killing or politics (he makes wonderful fun of the Palestinian politicians) but are just people wanting to get by and be left alone. The sad thing is that the country has been divided since 1948 when the state of Israel was founded and war and separation is all they have known for over 60 years. I lived in Israel in the 60’s and we were friends with many Jews born in Palestine before the State of Israel was established also sometimes called Sabra. I remember looking at the Old City of Jerusalem with a Sabra friend of my father’s who pointed across what was then the border with Jordan and said that he had many Palestinian friends over there he had not seen in nearly 20 years and he missed them very much. I recommend this movie to anyone who would like to see a very human side to this long conflict.

Writers – United States – Josh Boone

Again we had the whole cast and the director there for the presentation. Biggest name? Greg Kinnear who is the star in name but is overshadowed not unwillingly but a superb young cast who play his coming of age kids and their first loves. The Chair of the Board of Directors of TIFF introduced the film and clearly was out of place and unsure how to introduce the cast. It was sadly very awkward but still great to see them. The Chair suggested to us that the movie was a hilarious look at relationships as the come apart and come together again. Well… hilarious it’s not, touching, warm and insightful it is. I found myself thinking alternatively that this was a typical melodramatic Hollywood treatment of love lost and won, but the young cast kept it from becoming that and it became very moving for me. So while not hilarious, there is humour and the story is entertaining, well-paced and you really care about all the characters. It’s a film about writers and it is very well written. It will be out this fall and definitely worth a night out. Hey even Stephen King has a cameo.

Writers

Thermae Romae – Japan – Hideki Takeuchi

Hmmm…. Thermae Romae? Roman Baths? This is a Japanese film? Yep!

This was a total surprise for me. I saw it at Roy Thompson Hall which was maybe half full but almost entirely of the Toronto Japanese youth. I felt old and very European. The movie is a comedy that is currently one of the most popular films in Japan and the connection between Japan and Rome is that both cultures are very keen on public baths. It is based on a Manga (look it up) novel. Basically a graphic novel as we know them here, that tells the story of a Roman architect ordered by Emperor Hadrian to build a personal bath house for him alone. Lacking confidence in his own ability he is not sure where to start but as fortune has it he accidentally tumbles on a time vortex that takes him to modern Japan. Hilarity ensues as ancient European culture encounters modern Japanese culture. Some of the funniest scenes include our Roman architect and hero encountering modern Japanese plumbing (toilets). Let’s just say the modern Japanese toilet has many features our common household toilets lack. He takes back the ideas he finds to ancient Rome and of course succeeds beyond Hadrian’s and the Roman public’s wildest dreams. There is much more the story and he make multiple trips and there is a love interest in Japan and political challenges in Rome to overcome.

A surprising film and story that is wholly Japanese. Even the Romans are played by leading Japanese actors. The lead in this film is Hiroshi Abe who is a young and handsome heartthrob in Japan. He and the director and many of the cast were there and as he was introduced the Japanese fans (particularly the women) were greatly appreciative. I hope it comes to general release in Canada and if it does I really urge you to see it despite is being all in Japanese but with good subtitles. It is a funny movie that will introduce you to a new cultural experience.

Thermae Romae