Category Archives: Drama

Sicario – Director, Denis Villeneuve


Sicario is an American story told by a Canadian Director. The film looks at an aspect of the American War on Drugs and in particular the War on the Drug Cartels in Mexico. It is a very dark look at this issue and pulls no punches about the cartels or the US agencies (DEA, CIA and FBI) who are waging a less than successful war against them. Emily Blunt plays an FBI agent who is seconded to a CIA operation to assassinate a major Drug Cartel leader. There is no question that the target is evil to the core but the agents going after him are far off the rules of law. The moral and legal conscience of Blunt’s character is challenged to its limits putting her a risk from both sides of the conflict. The end of the film is uncompromising and leaves most of the questions asked open for the viewer to reflect about. No is the good guy in the story.

The film is graphic and violent and tough to watch in parts but Blunt, Josh Brolin, and Benicio Del Toro are very strong and believable. The pace of the film is relentless and completely engaging. It is not possible to turn away for fear of missing something important in the plot as events unfold. Great stuff. I can see why it was not nominated in some major categories like acting. It is an ensemble production that does not depend on any one thing but on a combination of really good acting, writing and directing. It has been nominated for some technical awards and I hope it wins a couple because it merits praise.

2016 Academy Award Best Live Action Shorts

The live action shorts for 2016 are all very good and it is hard to pick. Whereas it is virtually impossible for a comedy or farce to make it as a nominee for best feature length film or Best Picture, this is not a problem with the shorts. In this case we have some heart wrenching dramas, a lovely romantic film and a total farce. My favourite is the farce – an Israeli film called Ave Maria. My second favourite is the romance – Stutterer, but I suspect the winner will be a very unhappy film called Shok. All the films came from different countries and I really liked them all to be honest. Ave Maria, my favourite, is about an Israeli family (husband, wife and mother-in-law heading back late one Friday afternoon from occupied Palestine to Israeli territory. They crash into a statue of Mary outside a convent run by nuns who have taken a vow of silence just as the Sabbath falls. This confluence of events leads to a very very funny confrontation and a wonderful punchline when it all wraps up in, yes, just 15 minutes. It is hard to find these films unless you are lucky enough to have something like TIFF in your city. The other idea is to look on iTunes for them which happens every now and then.

Stutterer is from the UK and as the name implies is about a young man with a severe stutter. Again very short but the lead actor (Mathew Needham) turns in a great performance. It tells the tale of a young man who stutters so badly he is learning sign language to more easily communicate. He carries on a 6 month texting relationship with a girl who after the 6 months suggests that they meet face to face. He is of course terrified but finally agrees. The ending when the meet is perhaps predictable and very sweet but keeps from being maudlin or sickening by the gentle nature of the film and great performance.

The third film – Shok – is UK/Kosovo production and is set in Kosovo in 1998 in the midst of civil war. It follows the story of two Albanian pre-teens who are forced to live in a racist/ genocidal conflict. It does not end well but that gives nothing away as one can see that from the opening scenes. It is very well done. I struggle to watch films that put children in situations they cannot hope to handle and this film just manages to make my cut. Still not fun if you are not okay with films that exploit the suffering of kids.

The other two films (Everything will be Okay and Day One) were very upsetting to watch depending on your personal circumstances and while well done don’t make my cut.

Boy and the World – Director, Ale Abreu

This is a wonderful and surprising film. It depends pretty much entirely on the animation with no dialogue and only a music soundtrack. It follows the adventures of a small boy from a rural community in Brasil. After his father leaves to work in the city he decides to chase after him and reunite his family. His adventures reveal the complexity of modern Brasil including the good but mostly bad aspects of urban life. The animation art is beautiful and ranges from the very simple to very complex as the urban landscape is revealed. In watching the film I could not help but think that animation is an increasingly important part of all film making now. Not only the animated feature like this one but many live action films now as well. The Oscar category of Best Animated Feature Film (for which this is one of the nominees) seems hardly adequate anymore. I suspect this will not win the Oscar which I am guessing will go to Inside Out however I sort of wish there was something else it could win. I am not sure whether the time has come for animated films to be considered in other categories at the Oscars but ever since Disney created Snow White there has been a need to better recognize the talent and art that goes into these films.

I fear also this film will not get much attention. I saw it at the TIFF Lightbox and I was only one of 5 people in the theatre. Disappointing for what is a very beautifully created film. I may not get to see any of the other nominees except Inside Out which is also disappointing. There were many other Hollywood animated features this year that are not on the list so at least the Academy added some diversity here if not in other categories. If you like animation try to see this one.

The Big Short – Director, Adam McKay

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I loved this movie. A very smart script, a great ensemble cast and a rapid fire, black comic look at the financial industry and the economic collapse of 2008. It manages to explain the complexities of the events that led to the crash and show us that it really wasn’t that complex. It was clear to some that it was bound to happen but the financial industry, banks and ratings companies all conspired to keep a very unstable and likely criminal process going that ended up devastating the lives of millions of people worldwide. The knock on the film is that it is really very funny and some feel the issue is too serious to be taken apparently so lightly. I disagree. The humour is very black and while I laughed I was also horrified. The characters all benefit greatly from the meltdown as they bet that it would happen and won very big. They are thrilled and in some cases very cold about the situation. The exception is Steve Carrell’s character who while benefitting is clearly also stunned that the whole thing could happen. The truth is that there was nothing these characters could do to change the situation so they took advantage of it. They couldn’t blow the whistle because they were not in positions of power to do so. The film makers use their stories to demonstrate how bizarre the whole thing was and how easily it could have been stopped if the greedy people who created it had obeyed the law and basic moral principles.

Christian Bale is nominated for Best Supporting actor but Steve Carrell also deserves a nomination in my opinion and the understated performance of Brad Pitt and Ryan Gosling are great. I have been a Steve Carrell fan for many many years. His start on The Daily Show and his role in The Office are classic in themselves but his recent ventures into dramatic roles shows an actor with a range of talent. He has had many nominations but only one win for The Office and he deserves more. It is still early in his film career but I suspect we will see an Oscar or Golden Globe in the not too distant future. So – bottom line? This is a great film, entertaining and informative and with a message to deliver. Enjoy.

The Revenant – Director, ALEJANDRO GONZÁLEZ IÑÁRRITU

This film has garnered 12 Oscar nominations including all the big ones except for the screenplay. It deserves maybe two of them. Di Caprio does not deserve a Best Actor award for one of his most forgettable performances ever. There is no real acting just a lot of grimacing and staring into the distance. On the other hand, Tom Hardy, who is one of my favourite actors, deserves a nomination for his role as the villain. He really does act and his scenes are among the best in the whole movie. He gets no recognition for some reason for some simply awesome character acting including Legend and The Drop to name but two. This is a great performance and deserves recognition but its not enough to save this disaster. The other nomination it deserves is for cinematography which is stunning but OMG… it just goes on and on. This is a very bad movie with the exceptions noted. It runs over 2 ½ hours and could easily be an hour shorter with no loss at all. I fell asleep briefly in one part and only stuck it out to the end to see how they were going to finish it. The story is of a scout who is leading a group of fur trappers back to what counted as civilization in the early American Northwest. They are attacked by native Americans who kill many of them and the survivors struggle on. Di Caprio’s character – the scout – is attacked by a bear and just survives but he is too badly injured to continue. His companions try to take him along but have to give up assuming he will die and they abandon him leaving one of their number to stay with him until he dies and then bury him. Di Caprio’s son also stays back. Needless to say the caregiver fails in his mission and abandons di Caprio assuming he will die and murders his son in the process. He heads back to join the others. He has miscalculated and of course di Caprio survives and comes back for revenge. The journey is long and grueling and actually totally unbelievable. The flintlock guns they use are deadly accurate (which is totally impossible) even over distances of hundreds of yards. The falls, cold and so forth di Caprio survives despite his grievous injuries are literally impossible to survive and it all becomes almost funny. The character played by di Caprio is totally unlikeable and his connections to the local native Americans are poorly drawn and not made a significant part of the story. For the last hour I must have looked at my watch every 10 minutes praying for the end to come. To be perfectly honest the only times I was captivated were with Tom Hardy’s scenes but even that, at the climax of the film, was poorly written. Also I take back my comment about the cinematography. One more shot of bleak wintery forests and mountains was one too many. Two thumbs down so to speak.

Trumbo – Director, Jay Roach

Another all white nominee for an Oscar this year – Bryan Cranston (nominated for Best Actor) for a great portrayal of Dalton Trumbo the Hollywood writer who was blacklisted and exiled from Hollywood for being a communist during the McCarthy years. He played a key role in resisting the anti-communist efforts of the Committee on Un-American activities which hurt or ruined the lives of many people not only in Hollywood but beyond. Cranston is very very good in the role and the film is well-written and acted. I was disappointed that Helen Mirren pictured above was not included in this year’s nominees for Best Supporting Actress. She plays journalist Hedda Hopper, one of Trumbo’s and others nemeses as she rode the anti-communist wave in the entertainment industry. She is wonderfully despicable. John Goodman also puts in a great performance as Frank King, one of the only producers willing to hire Trumbo anonymously after his exile. All in all a very entertaining film. I am curious however about a documentary I have not seen called Trumbo that came out in 2007 and is well reviewed. I will definitely track it down and post my impressions. It garnered no awards that I can find but sounds very interesting.

The Martian – Director, Ridley Scott

This is one of the first Oscar nominated films I have seen so far this winter. Telling the tale of an astronaut isolated on Mars with only his wits to help him survive, it is thrilling, funny, uplifting and Matt Damon is excellent, carrying the film very much on his isolated shoulders.  With 3 of its 6 Oscar  nominations for sound and production design and visual effects it is also great to watch.  The science is mostly pretty good according the geeks who have seen it. Sure there are lots of misses and miscalculations to those who choose to pick at it but all forgivable in my opinion for an excellent cinematic ride.

The Man from U.N.C.L.E. – Director, Guy Ritchie

 

 

Hmmm one of my favourite 60’s TV series and one of my favourite directors, what could go wrong? Well nothing much really except that this movie was not quite the quality I had hoped for. I guess I was hoping for a new Bond franchise and it just didn’t happen. This is not to say it is a bad movie by any means. The cast is great especially Armie Hammer as Ilya Kuryakin, and Hugh Grant as Waverly. Henry Cavill is good as Napoleon Solo but then I was never impressed with Robert Vaughan in the role and I think it’s the role’s fault more than the actor’s. Anyway everyone always like David McCallum the best, Right? Reviewers were all over the map on this one and I have to admit those who dumped on it had a point. Ritchie fails to recreate the atmosphere of the original TV series but lets face its been 50 years since McCallum and Vaughn created the roles, that audience is aging fast, and the Cold War is old news at least the one from the 60’s. The series needed a reboot to make it interesting to contemporary audiences but I fear that although it was fun to watch, it just didn’t quite cut it. The ending clearly sets up the possibility of a sequel with the two stars and hopefully Ritchie behind the camera but with the lack of critical success it will, I fear, not make it to a second romp in the Cold War. Still its fun and worth your time.

Remember – Director, Atom Egoyan

I have to take a pledge not to watch any more Atom Egoyan films. This movie is simply absurd, terrible, hugely disappointing, ridiculous, and did I mention stupid?? Furthermore this film is described as one of Egoyan’s more accessible films. This is true. At least you know what is going on but what is going on is hardly worth your time. The story is of an elderly and disabled holocaust survivor played by Martin Landau who recruits a fellow client of his nursing home (played by Christopher Plummer– who is also ostensibly a survivor) to kill the Nazi officer who killed their families. While Landau is physically disabled, Plummer’s character is suffering from dementia and needs careful guidance to achieve his goal. I do not want to give away the plot or the absolutely absurd ending but enough to say – avoid this film. When I saw the cast and that this film was a selection at Venice and TIFF I thought I really needed to see it and give Egoyan one last chance to impress me. Sadly I was disappointed. This film that aims to treat the holocaust and dementia, trivializes both. Many reviewers who were not happy with the movie praised Plummer’s performance and I will admit he is very good except that one wonders what form of dementia he supposedly suffers from. The portrayal is like nothing you have ever witnessed so I blame the writer and the director for getting it all horribly wrong.

Cop Car – Director, John Watts

Gotta love Kevin Bacon. This may not be the best movie he has ever made but it is a lot of fun. Set in rural America, two 10-year-old boys out exploring in grassland find an abandoned police cruiser, unlocked, with the key in the ignition. Not able to resist they steal it and take off. Of course you wonder how an abandoned police cruiser would ever find its way to so remote a spot and with no police around and the film answers with a flashback to Kevin Bacon as the cop arriving, opening the trunk, and dragging a body out to be buried in an unmarked grave. He assumes of course that the car will not be disturbed but does not count on the kids. The balance of the film continues with Bacon, clearly a psychotic killer and cop, trying to retrieve his vehicle before the police department finds out about his way of dealing out justice.

Cop Car premiered at Sundance and so it is interesting that this movie was little noticed. To be fair, despite the violence and story line it is neither the stuff of Tarantino or the Coen Brothers but if you don’t pay too much attention to that you will have thrilling ride with a film that, as a NYT reviewer noted ” doesn’t ask much of you narratively or ethically.” A good comment.