Category Archives: Oscar Stuff

Battle of the Sexes – Director, Valerie Faris and Jonathan Dayton

Battle of the Sexes

This was my second film about events that occurred when I was much younger. This time the original male chauvinist vs feminist battle that captured imaginations back in 1973. Bobby Riggs was a retired tennis champion who saw a chance to make some money by setting up matches against women and cashing in on the proceeds. Women’s tennis was struggling to get attention and adequate pay days for champions like Billie-Jean King but it was slow to come and male dominance in sports, at least at the gate, was a real road block. Organizers believed that women were not as good as men and therefore could not attract any paying audience. King was out to change it all and set up a competitive women’s tennis association. Riggs played the chauvinist card saying that at 55 he could beat any woman tennis player including the champion King. There was going to be a huge payday at least from King’s perspective plus a chance to humiliate Riggs and put women’s tennis on the map. I won’t tell you the outcome because you can look it up if you don’t know but just to say, women have never looked back. I was again worried that this would not be a good movie but with Steve Carell and Emma Stone as the leads I decided to take a chance and… winner. This movie is superb and much deeper than being just about the match. It delved into the real state of male chauvinism (Riggs was more a clown and opportunist than a chauvinist) exhibited by the US national tennis association and America at large, the rise of feminism as a force in modern society and of course King’s own lesbianism and the prejudice about coming out or being outed at that time. The emotional conflicts around this and Rigg’s own personal battles are explored with drama, humour and great depth. An excellent film and worth seeing. Oh.. all right… King crushes him in straight sets.

http://www.tiff.net/tiff/battle-of-the-sexes/

Chappaquiddick – Director, John Curran

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I chose this film largely out of curiosity but also because of the cast that included Ed Helms of Daily Show fame, Jim Gaffigan, and Bruce Dern. The prior two are well known comics and so I wondered how that would all go down. I was very worried, however, that it would not be done well. I was happily surprised to be entertained by an intelligent, complex look at the incident and at Teddy who reacted as many might to a personal crisis. Many are conflicted about all the Kennedy’s from JFK to Bobby to Teddy and especially Joe. They all had flaws but also all did great things. The film does not hesitate to point to the flaws especially around Teddy but also does not condemn him. I have always had questions about the Chappaquiddick incident but been a fan of the work Teddy did throughout his long career as a Senator. So, I left the film unchanged in my opinion but with a deeper understanding of the times and the Kennedy’s. An excellent script drives the movie and some superb acting. There was an excellent Q and A afterwards that included Ed Helms and Gaffigan as well as the star, Jason Clarke. It was funny and wise. Look for lots of Oscar nominations for this one.

http://www.tiff.net/tiff/chappaquiddick/

The Current War – Director, Alfonso Gomez-Rejon

*FIRST LOOK* Benedict Cumberbatch as Thomas Edison CR: The Weinstein Co.

I chose this film because of the actors primarily. I really like Benedict Cumberbatch whether he is Sherlock or Dr. Strange but I  am also a big fan of Michael Shannon. The subject of the film is the fight between Edison and Westinghouse to build an electric grid to light our cities and run our machines. Edison favoured direct current and Westinghouse favoured alternating current and ultimately won. The film is not about the physics or the engineering but more about the men themselves. I was afraid it might be amazingly boring but it is anything but. Filmed with interesting special effects to recreate the era and with a great script and acting it was very entertaining. Electric grid? I hear you ask. Yawn. Well we just take it all for granted but it was only just over a 100 years ago that these two men managed to envision and create the grid that basically runs everything we have today. How we even lived before then is a wonder if you think about how ubiquitous electricity is today and how incredibly upset we are if the power goes off for even an hour. So it was a really big deal and these guys were its inventors. The director captures all that and more. Definitely worth your time to watch. Oh yeah, Edison invented sound recording and film as well so bear that in mind as you watch the movie, listen to the music and remember that it’s the electrical grid that brought that all to you.

http://www.tiff.net/tiff/the-current-war/

The Death of Stalin – Director, Armando Iannucci

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Armando Iannucci is the director of great political satire most notably VEEP starring Julia Louis-Dreyfus of Seinfeld fame. This movie is very much in that tradition. As satire both VEEP and this film move between comedy and making you feel slightly uncomfortable. This film tells the story of Stalin’s death and the subsequent events as members of the politburo fight for power and control. Stalin was one of the world’s most cruel and controlling dictators and his sudden death left a void that created a real crisis for the Soviet Union. The contest mainly between Khrushchev and Beria, the head of the secret service, was a devious and ruthless competition for power. Iannucci however manages to create a comic look at the struggle without taking away from the cruelty of the regime or the power struggle. The film did not shy away from the violence and reign of terror that Stalin created but managed to build comic relief and distraction in the relationships among the surviving members of the politburo. The cast is amazing including Steve Buscemi and Michael Palin among other lesser known character actors. The acting was smart with all the key roles contributing to the overall story. The Q and A was one of the best I have attended. Iannucci and four of the actors including Buscemi were there. Iannucci and Buscemi were particularly eloquent, funny and informative in their comments and we learned a lot about how the film was put together including rehearsals and use of improvisation when necessary. All in all an excellent experience and a film worth your time to see.

http://www.tiff.net/tiff/the-death-of-stalin/

Last Men in Aleppo, Director – Feras Fayyad

Not surprisingly there were several films at this year’s festival that dealt with the Syrian civil war. Last Men in Aleppo was one of the best, describing the work of the White Helmet volunteers who have been doing rescue work for the residents trapped in the city. Aleppo has been the target of bombing attacks from both the Russians and the Syrian government the White Helmets go to the bombing sites and work to rescue survivors. The film is long, maybe longer than necessary but its portrayal of life in a war zone is difficult to watch. We hear about this conflict but do not get many opportunities to understand what life is like under the constant risk of bombings or the kind of sacrifice people make to recover from these attacks. It is very much a verité style film so no particular comment is made about the political situation but it does follow a small group of men who participate in the rescue work and their attempts to live something like a normal life in very abnormal conditions. You do develop a connection to these men as the events unfold before you. The White Helmets have been a controversial organization. They have been accused by the Russians and the Syrian government of being a front for the rebels and terrorists and far from politically neutral. Much of this has been debunked and the group continues to do its work to preserve what they can of their city and their lives. Definitely worth seeing to help understand what is happening in the Middle East.

Fences – Director, Denzel Washington

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This film is all about Denzel Washington. He produced, directed and acted the lead role. He managed to capture three Oscar nominations: Himself as Best Actor, his co-star Viola Davis for Best Supporting Actress and for August Wilson for the screenplay based on his Broadway play of the same name. Wilson passed away in 2005 and I have to assume the script for the film is very close to the original. Both actors performed the same roles in a Broadway revival a few years ago earning Tony awards for their portrayals. The movie covers a few months in the lives of a black family in Pittsburgh in 1957 and, like Manchester by the Sea, is difficult to watch as the family self destructs around the actions of Washington’s character who plays the father but comes together again at the end by the strength of the mother. Her soliloquy at the end of the film as she confronts her son’s anger reminded me in power at least of Linda Loman at the end of Death of a Salesman. The knock on the film has been that it fails to adequately transform the story from the stage to the screen but this is picky. The performances are all very good and while I do not expect them to win Oscars to put beside the Tony awards, they are compelling. I hesitate to recommend films like this because it is not escapist entertainment but will leave you thinking and if you are up for that kind of entertainment don’t hesitate to have a look.

LBJ, Director — Rob Reiner

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I was not sure what to expect from this movie and it really surprised me. Woody Harrelson plays Lyndon Johnson and its an academy award performance. He sure has come a long way from the days of Cheers. The film I am not Your Negro was critical of the white leadership of the day including JFK and Johnson and with some justification. Still it was Kennedy who conceived of the Civil Rights bill and it was Johnson (previously opposed to any civil rights legislation) who pushed it through congress and who introduced the voting rights act and medicare and other similar legislation. Reiner’s film paints a picture of a complex time and a complex person. For all his positive acts he was also the president who took the US into the Vietnam War and left it to others to resolve. The film is however very fair while sympathetic to the man. It covers his time from losing the Democratic nomination to JFK, becoming a reluctant and not very popular VP and then tragically president when Kennedy is assassinated. It focuses on the successful passing of the Civil Rights act as his first act and ends in 1964 prior to his running for president and his defeat of Barry Goldwater. Harrelson is perfect in the role, evoking the very human side of Johnson, his frailties, his strengths and his sense of humour. A very moving portrait of a very interesting leader. Reiner’s Q and A was great. He noted his age and that he opposed Johnson as a young man when he might well have been drafted and sent to fight a war he disagreed with. Still after all these years he has come to recognize both the good and bad sides of the man. The film will not be released until next year, long after the horrendous election in the US is over. This is too bad because the film might well remind American voters of some of its more intelligent and sophisticated leaders.

La La Land, Director – Damien Chazelle

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So I will start this review with a confession. I really am not a fan of musicals. Some, like An American in Paris or West Side Story get past my prejudices but most do not. I chose this film because there is lots of buzz about it and to be fair it is very well done. The other reason I chose this one is that the director also did Whiplash last year which is a very powerful film and not a musical. It was tough and polished and so I thought I would give this a chance. My verdict is that this is a very good movie, if you like musicals and romantic stories. If either or both of these are not your game stay very far away. Still, again to be fair, the two leads, Ryan Gosling and Emma Stone turn in great performances. But… the somewhat twist ending really made me gag which, if you like romantic twists, will endear the film to you and have you leaving with a smile and wee tear in your eye. Yes its like that. I will say one thing. The film has some very good jazz in it and is built around the lead’s love of jazz to some extent just not nearly enough for me. Attend at your own risk unless, like I say, you love that sort of thing. Okay one more kick at the can. The film has great cinematography and set design. Use of colour is great as well and it is a real homage to the Hollywood musical of the past but moved into the 21st century film technology. The music and dancing (and it’s a musical after all) I found to be forgettable but its all about the story right?

I Am Not Your Negro, Director – Raoul Peck

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I saw this film on the same day that I saw Denial so I had a day of films about racism and how it is dealt with in our society. Both received well deserved long standing ovations from large audiences. I Am Not Your Negro however was a documentary based on the work of James Baldwin his contribution to the civil rights movement in the 60’s and his relationship with Medgar Evers, Malcolm X and Martin Luther King. It documents his reaction to their murders, and describes how he perceived his own role in the battles of the time. The director also explores the themes of the 60’s struggles with the current struggles and looks in depth at the ongoing racial struggles in the US. It is a complex film that deserves much reflection. I am not as familiar as I should be with James Baldwin’s writing and thinking and need to correct that deficit. I also want and need to see this film several more times to be sure I get a full understanding of the complexities. We had a chance for a Q and A with the director who is Haitian born. He took ten years to put this film together as he delved into archival footage and Baldwin’s own rich writing. Baldwin had proposed writing a book about the three leaders of the civil rights movement, their conflicts and friendships and their sacrifices. He never was able to complete this project himself but Peck decided his film could be the book Baldwin never wrote. I think he has succeeded and we should all see this film and come to grips with the racism of our society.

Denial, Director – Mick Jackson

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In 1993 Deborah Lipstadt, a Jewish Holocaust historian published a book Denying the Holocaust and in that book took aim at one particularly obnoxious and vociferous UK based denier named David Irving. To gain some attention Irving sued her and her publisher, Penguin Books. This film is a dramatization of that trial which dragged out over several weeks and about which the judgement was in doubt. Under UK law it was incumbent on Lipstadt to prove she had not libelled Irving and not on Irving to prove he was libelled. It made a challenging situation. Lipstadt could have settled out of court but she wanted to confront this challenge head on. If she lost, then Holocaust denial would be lent legitimacy it did not deserve and her own historical work put in doubt. Although the story was true and the outcome was known (I will keep that to myself for now) the drama is tense and the themes of dealing with holocaust deniers are emotionally packed and explored. The cast is great including Tom Wilkinson (the barrister), Timothy Spall (David Irving), Rachel Weisz (Lipstadt) and Andrew Scott(the solicitor). Andrew Scott may be known to more of you for his very scary and creepy portrayal of Moriarty in the Sherlock series. I had trouble separating him from that role which actually made his role in this film even more effective. You are never sure where he stands or what he is up to. Spall puts in another incredible acting performance as the evil Irving and you really want to reach into the screen and throttle him. Wilkinson is the supreme brilliant understated performance. I did not look at my watch once in the two hours.

So bottom line: this is a very very good movie and deserves large audiences and awards. The theme is important and presented powerfully. I saw this at the Winter Garden and the director got a standing ovation from the whole crowd. It was very much deserved.