Chasing Coral, Director – Jeff Orlovski

The best movie of the whole week. Jeff Orlovski came to Hot Docs with a film called Chasing Ice which documented the collapse of the world’s glaciers. The current chase is documenting the bleaching of the world’s coral reefs. In both cases we are introduced to the telling signs of climate change and the devastation it will cause even if we were to do what is necessary to cut fossil fuel emissions. This movie like Chasing ice is beautifully filmed as the director and the people who are the focus of the film travel around the world to conduct their research. As well as the films being visually stunning, Orlovski also introduces us to the researchers who have their own story to tell. The combination of cinematography and characters make the films informative and highly engaging.

In Chasing Coral we are given incredible underwater images of reefs in the Caribbean, near Hawaii and on the Great Barrier Reef in Australia. Using time lapse photography we are shown the terrible damage even small changes in the water affect the health of the reefs and the speed with which it is happening. The problem we have with recognizing how fast climate change is occurring and how fast the damage it causes happens is the difficulty in filming the changes. In this film and in the previous film the researchers have tremendous difficulty collecting the necessary evidence due to the difficult conditions and because they are the first to try to film the changes. The films document that difficulty as well as the ultimate success. Not only are we the viewers stunned with the rapidity of change but so are the researchers. While they express hope that we can stop or reverse the damage, their faces betray their pessimism. They make it clear that this is not just about the decline of glaciers and coral reefs but about how those declines are going to result in more major changes that our society and civilization may not be able to survive. This film and the previous Chasing Ice are important for everyone to see. Chasing Ice is currently available on Netflix and Chasing Coral will also be available later this summer.

Brother’s Keeper, Directors – Joe Berlinger and Bruce Sinofsky

Brother’s Keeper is a film that was released 25 years ago and was a landmark film in that it was an example of verité documentary style. The filmmakers followed the murder trial of a man accused of murdering his brother. The film focussed on four brothers who lived together in poverty and squalor on their diary farm in rural New York State. One day they awoke to find the eldest dead in his bed apparently having died in his sleep. The coroner however determines that it appears he was suffocated and suspicion falls on his brother who shared the bed with him. The police decide to charge the brother with murder. The case drew statewide and nationwide attention as the small community came to the defence of the brother and raised awareness of the whole trial. The directors decided it would make an interesting study and without knowing the outcome came and asked permission to follow the process over several months. The images of the three remaining brothers in their poverty and illiteracy facing off against the prosecution is difficult to watch but very powerful. We were lucky enough to have Joe Berlinger there for a Q and A which gave even greater insight to the making of the film. I will not tell you the end as this is a movie you all should see but the verité style combined with brilliant editing make the story moving. Politically relevant, and full of tension too. It is available on Netflix and it is worth your time to find it and watch it.

Blurred Lines: Inside the Art World, Director – Barry Avrich

I was somewhat disappointed by this film. Being a leftie of the best sort I read the description of this film and was attracted to the description of a film that would look at the insane world of art auctions and collecting that carried on despite the horrendous impact of the economic crisis of 2008. So at the start they mention the crash but then just carry on describing the world of art auctions, the buyers, the artists who feed off the insane amounts of money and agents who promote both. Rather than being particularly critical of it, the film makes no judgement other than to describe it and in some sense to be envious of the various players in the business. Some interviews with artists suggest they are not entirely happy with the situation and its unfairness to many but that is about as far as it goes. The rest of the film is simply a glimpse into the activities of some of the one percenters and how little they care about the rest of us.

Bill Nye: Science Guy, Director – David Alvarado and Jason Sussberg

I am guessing that many of you will know of Bill Nye, a nerdy American TV personality famous for his 1990’s kid’s science show “Bill Nye the Science Guy”. This documentary introduces you to the current version of Bill and his new initiatives and advocacy for science and a science based approach to issues of the day. I have always been a big fan of Nye and his goal to get children interested in science and being scientists but more recently he has moved on to a quest of challenging the war on science being waged by right wing politicians and evangelical and socially conservative Christians. The film takes us to the Ark Park and Creation Museum in Kentucky run by Ken Ham and a Christian organization known as Answers in Genesis. The two theme parks are attempts to debunk evolution and our scientific understanding of the origin of the universe and support the Genesis myth as fact. We follow Nye as he visits the two sites and confronts the nonsense of Ken Ham and the nonsense promoted at the two parks. The parks are promoted to schools and we see many children touring the sites and being indoctrinated. Nye laments this and argues for enhancing science education in public schools and the media. While this is part of his crusade we also see his efforts to confront climate deniers and push for acceptance of the science around climate change. Some of this is best content in the movie as he meets with leading climate deniers and defeats them in debate. Many have accused Nye of giving the creationists and climate deniers a platform by debating them in public but he argues that they already have been given platforms by the fossil fuel industry and mainstream media. They need to be confronted with the truth. Finally, we see his most recent role as the CEO of The Planetary Society, a non-profit organization that promotes space exploration through research and education. The organization was founded by Carl Sagan and Nye is honoured and humbled to have ben asked to lead it. The project we follow is the launch and deployment of a solar sail. The latter was a pet project of Sagan who argued it was a way for man to reach the nearest stars within our lifetime. Sagan’s initial effort failed and the launch craft crashed on take off but Nye succeeds in launching a prototype and opening the door to this innovative technology. All in all a hopeful, optimistic film about a leading advocate for science in a world increasingly plagued with fake news and oppression of science and scientists.

A Friendship in Tow/Toe, Director – Atsushi Kuwayama

This was a very short ten-minute doc that was likely my second favourite of the 2017 Hot Docs Festival. Directed by a Japanese director and set on a long stairway in a hilly part of Lisbon it follows an elderly disabled Portuguese woman as she is assisted up the stairs by a young Japanese tourist. On the way they talk but the language difficulties make it a comedy of errors as they struggle to climb and understand one another. The conversation and the setting are the whole story so I won’t spoil it by detailing it but only to tell you it is humourous, human and lovely. The film ends as they reach the summit and part ways. Worth a watch if you get the opportunity. Here is a link to the trailer to give you a sense of it: https://sushikuwayama.com/ate-a-procima/

Kong: Skull Island – Director, Jordan Vogt-Roberts

Okay… I guess many think “oh my God not another King Kong movie! Its been done to death”. There is some truth to this and I also thought this when I first heard about it but… It’s awesome. What changed my mind was the cast that includes Tom Hiddleston (the Night Manager), John Goodman (Argo, Trumbo and many others) Brie Larson (Room), Samuel L. Jackson (Snakes on a Plane) and John C. Reilly (The Lobster). Then a review from Eli Glasner who described it as a B-movie on steroids and others who called it Apocalypse Now meets Kong. I was sold and when I went I was not disappointed. Glasner was absolutely right and as soon as you suspend disbelief and get into the fun you will enjoy this movie. Hiddleston is great in the lead role and everyone in the cast is clearly having a great time. The special effects are also excellent. Set in the early 1970’s the story is about an expedition of scientists with an army escort heading off to a mysterious island in the remote Pacific. Once they arrive it is not long before they encounter Kong and not only Kong but a whole island of monsters from which they must escape. Brie Larson is a great Fay Wray, John C. Reilly adds comic relief as a World War II US pilot who crash landed on the island and has been there for more than 30 years. All in total fun and adventure. Enjoy.

Paterson – Director, Jim Jarmusch

Paterson was a popular film at TIFF last year and one I couldn’t fit into my schedule which I now regret. I just saw it at a local review cinema and totally loved it. The cast consists of some not very well known character actors who turn in an ensemble performance that is captivating. Adam Driver plays a bus driver named Paterson in the small New Jersey town of Paterson. Yes, he has the same name as the town he was born in and has lived in all his life. The film follows a week in Paterson’s life, each day much the same as the next and giving us a glimpse into the day to day lives of our hero and his community. The unique aspect of our bus driver is his love of poetry and he himself is a poet, writing his poetry in a small secret notebook during his free time. As far as I could tell, Paterson kept his poetry to himself and shared only snippets to his wife. His wife urges him to make a copy of his work and he promises to do so but in the end never gets around to it.

The film’s charm lies in the dialogue and the quirky characters including Paterson’s flakey artistic wife, the bartender at his local pub and its customers, the conversations of the bus riders, and Marvin the English Bulldog Paterson takes for a walk each evening. The climax of the film, if one can have a climax in a film with no real plot, comes when Paterson’s secret notebook is destroyed and all his poetry is lost. He is clearly devastated but the emotion is hidden. He clearly wrote the poetry for himself and meant it only to record his personal view of life and the world. At the end of the film he has an unexpected encounter with a visitor to the town that reopens the door to his poetry and redeems his loss. A simple but moving end to a simple but remarkable look at an ordinary life. For an entertaining evening and a relaxing hopeful look at life, I can’t recommend this film more. Enjoy!

Fire at Sea – Director, Gianfranco Rossi

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Another amazing documentary and makes you wonder why only one film needs to win. Again it is a very long movie at nearly two hours which I feel stretches the patience of audiences and can take from the power of the story. This film is about Lampadusa, the small Italian island between Italy and Tunisia where many of the refugees fleeing Africa and the Middle East end up… if they are lucky. Far too many die in the attempt. The movie has no narration but simply shows images of the various characters: the refugees, a young Italian boy who is a resident of the island and a doctor who provides primary care to the islanders and serves as emerg doc and pathologist/coroner and primary care doctor to the refugees. Although the movie is long it is engrossing and as one reviewer said: You really don’t want it to end. It is unresolved and offers no solutions hopeful or not to the crisis of the refugees and work that the Italian authorities provide to serve and help them. As we in Canada see our own small crisis of for now only a few hundred desperate people crossing the border in freezing conditions, we would be well advised to learn more of the struggles current in the Mediterranean. They may well be visited on us at the enormous migration of populations continues in the face of war and climate change. The most powerful scene in the movie in my opinion is a scene in which the doctor shows an image of a young teenage boy covered in chemical burns caused by wearing clothes soaked in sea water and diesel fuel. They may well be fatal he says. He has seen terrible things. Dead children, pregnant women, babies born on the boats dead with their umbilical cords still attached…. He says his colleagues tell him that he must be immune to the horror after seeing so much but he pauses and says: It’s not true, will never be true. A powerful story.

13th: From Slave to Criminal with one Amendment – Director, Ava DuVernay

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This is a very powerful documentary although very long. The latter element may excuse it from winning but that should not discourage you from watching it. It is a Netflix production so easily available. The title refers to the 13th amendment to the US Constitution that outlaws slavery but specifically excludes criminals from this protection. The film argues very convincingly that the current US obsession with punishing crime by imprisonment is simply one step in the process of ensuring people of colour and particularly blacks are kept oppressed and enslaved. The film opens with Obama’s statement that while the US holds 5% of the world’s population it holds 25% of the world’s prison population and the black population makes up a highly disproportional number of those prisoners. Prisoners are kept increasingly in privately run prisons which little oversight of conditions. Prisoners are now a key part of the US labour force hired out to firms from agriculture to Victoria’s Secret, although the latter company stopped the practice when it was revealed and customers objected. Still the US economy is increasingly reliant on this labour source not unlike the American south was reliant on slaves prior to the Civil War. Part of the problem with this film is its attempt to tie together two related stories. The first is the clear effort of the US to keep people of colour oppressed and in many cases enslaved. This goes back the Jim Crow laws following the abolishment of slavery and more recently the use of the criminal justice system to maintain that oppression. The second part is the whole US Criminal justice system and the corporatization of the prison system. Imprisonment is an increasingly capitalist driven process rather than justice driven and it is not just blacks and people of colour that suffer. While this adds complexity and length to the film and I think hurts the narrative it is a hugely important film and a must see for all. It won the BAFTA award and deserves a shot at an Oscar as well.

Oscar Nominated Live Action Shorts 2017

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I downloaded these films from iTunes which assured me there were subtitles but as it turned out this was not the case and all the films are foreign made and except for Silent Nights, no English. Still it was amazing how much I was able to understand about the story with just the images to go by. So take my comments with this in mind. The films were longer than usual except for the Spanish entry and I am not sure I like that. Short films should be short but given Hollywood’s apparent need to make 2-3 hour films these days I suppose 30-40 minutes is the new short. I really liked the Spanish entry – Timecode—but it has had some negative reviews suggesting it is not serious enough. Well… I don’t agree that serious is a necessary quality and entertaining is what should count. See my review of Boogaloo and Graham from the past. Great movie and available on iTunes for only $3 or so. Give a watch and try to track down Timecode as well.

Sing (dir. Kristof Deak \ Hungary 2016 \ 25 minutes, English Subtitles)

Zsofi is struggling to fit in at her new school – singing in the school’s famous choir is her only consolation, but the choir director may not be the inspirational teacher everyone thinks she is. It will take Zsofi and her new friend Liza to uncover the cruel truth.

A lovely film about kids and their bonding against some unjust authority. The revenge the kids take at the conclusion of the film is great and very funny. I would rank this as my favourite of the whole bunch.

Silent Nights (dir. Aske Bang \ Denmark 2016 \ 30 minutes, English & English Subtitles for parts in Danish)

Inger volunteers at a homeless shelter and falls in love with the illegal immigrant Kwame. Both live a hard life. Kwame finds comfort in Inger’s arms, but says nothing about his family and children in Ghana. When his daughter becomes ill, he is forced to steal money from the homeless shelter to pay the hospital bill. Inger believe his lie about the theft, and when Kwame moves in with Inger they are happy for a while… until the day when Kwame’s mobile phone reveals everything about his life in Ghana.

Not bad but not great and this one had some English in it as well.

Timecode (dir. Juanjo Gimenez Pena \ Spain 2016 \ 15 minutes, English Subtitles)

Luna and Diego are the parking lot security guards. Diego does the night shift, and Luna works by day.

The image above is of Luna and Diego. A real treat and lots of fun. Two security guards – build a relationship through dance if you can believe it. Timecode refers to a defined video record on a video surveillance recording. Diego leaves Luna a note with a time code and when she looks at it he is doing an improvised dance during his regular patrol of the building. Luna responds herself and they communicate this way creating more and more complex dance moves. The end is them coming together and doing an amazing gymnastic dance routine witnessed by their boss and an new security guard. The final scene is very funny.

Ennemis Interieurs (dir. Selim Aazzazi \ France 2016 \ 28 minutes, English Subtitles)

An interview at a local police station turns into an inquisition during which a French-Algerian born man sees himself accused of protecting the identities of possible terrorists. This close-up on France’s troubled history with its former colonies has one man controlling the fate of another with the stroke of a pen during a turbulent period in the 1990s.

Very good movie that makes you think of what is currently going on in the US under Trump and his authoritarian attitude to refugees.

La Femme et la TGV (dir. Timo von Gunten \ Switzerland 2016 \ 30 minutes, English Subtitles)

Elise Lafontaine has a secret routine. Every morning and evening for many years, she has been waving at the express train that passes her house. One fateful day, she finds a letter from the train conductor in her garden and her lonely life is turned upside down. She engages in a promising correspondence through poetic and thoughtful letters two anonymous writers sharing their world with each other until the day the train line gets cancelled. The story is inspired by true events and stars César Award nominee Jane Birkin.

Not great. Fast forward through it.