All Things Must Pass: The Rise and Fall of Tower Records – Director, Colin Hanks

This documentary covers the 45 history of Tower Records, an international record retailing company that started modestly in Sacramento California and spread right around the world. From being one of the most successful retail companies in the world in 1999, they then filed for bankruptcy in 2006. A sudden and dramatic crash. The man who founded the company was Russ Solomon and he gathered around him in 1961 a variety of unusual people who liked the fact that employees could wear what they liked, let their hair grow, do drugs and charge them as a petty cash item and drink. They only had to show up for work in order to keep their jobs. He was however a great judge of people and gathered a group of people who loved music, were friendly and committed and in the end hard working in their own way. From a very humble beginning it grew to a mega corporation that really outgrew the skills and ability of its creator. The film and the archival footage of the stores reminded me of Sam the Record Man and Solomon reminded me totally of Sam Sniderman. Interestingly both companies closed within one year of each other. Sam’s started in the basement of Sniderman’s home in 1937 but opened its main store on Yonge street in 1961 the same year as Tower Records. The similarities suggest that Tower Records and Sam the Record Man were victims of the same forces and not really victims of the inability of the founders to adapt to a new reality. Nonetheless the similarities are stunning and the film is totally fun until the end when the corporatism just becomes boring and put me off as much as it did Russ Solomon. Nonetheless this is fun movie and worth your time particularly if you shopped for LP’s in the 60’s.

What Happened, Miss Simone? – Director, Liz Garbus

Okay I will confess I really like Liz Garbus. She has not made a bad documentary in her life that I am aware of including Love, Marilyn, The World Against Bobby Fischer and the Ghosts of Abu Ghraib. Go check them out if you have not seen them. This is another winner. The film uses interviews with her former husband and manager, her daughter and niece to great effect but the news footage of her and Stokley Carmichael and others is even more powerful. Nina Simone was an amazing pianist and jazz/blues singer who suffered from manic depression and who took a potentially super star career to the depths of despair as she fought against racism in the US in 60’s and 70’s. Her life was tragic but through it all her powerful voice, song writing ability and passion for her music and her community kept her alive and fighting. I cannot recommend this film more. It is nominated for Best Documentary and is up against a biographical documentary about Amy Winehouse which took the BAFTA Award this year. I don’t see it. However good “Amy” is she did not live long enough nor was she committed enough to warrant beating out this movie. In this year of ever so white Oscars they could take a mini-step in the right direction to recognize this champion of human rights and freedom.

Winter on Fire – Director, Evgeny Afineevsky

 

 

 

 

 

 

 

Not a great movie and likely nominated for the pro-Western political perspective it offers. The technique of the documentary is very in your face with no clear narrative but a collection of real life encounters with participants in the conflict. They include not only leaders but people in the street and so it is visceral in its impact. The director followed the style of a previous Netflix movie called The Square about the uprising in Egypt that focussed in demonstrations in Tahrir Square in Cairo. Both films take the viewer into the streets with the protestors and shows the conflict from that perspective. It is a powerful technique that builds sympathy in the viewers for those who are in the midst of the conflict. The problem in both cases is that it also simplifies the struggle going on in the country. In both situations and particularly in Ukraine the situation is not nearly as simple as it is portrayed. Ukraine is of critical strategic importance to east and west and is as a result the focus of much interference from both sides. This aspect of the conflict is not addressed in the film and so I am not entirely happy with it. I do not necessarily accuse the film makers of political propaganda but the film is of limited value because of its focus on the street alone. If you want to see better example of the technique however I would recommend The Square over this film.

Hail, Caesar – Director, The Coen Brothers

I liked this movie although I will admit it is not the best Coen brother film ever. It is much quieter and more subtle than I had anticipated. Reviews are mostly very positive and congratulate the Coen’s on a tribute and laugh at 1950’s Hollywood but the negative ones are very negative. I think it might be useful to see the film in conjunction with Trumbo and with Women He’s Undressed which also look at the same period. Hail, Caesar does not miss the communist element in Hollywood but does make light of it. The attack on the left wing elements of the creative people in Hollywood of the time was devastating and not funny but I am not sure the Coen’s deserve the antagonism they get for having fun with the whole thing. Certainly it is a comic take but it is so clearly comic and so tongue in cheek that I really enjoyed it notwithstanding the real story. There are some really great scenes mocking the mega dance scenes, the heroic over the top epics, and the mega stars who led the Hollywood of the time. There a number of great cameos and some wonderfully comic scenes but for the most part it is done without going over the top. I enjoyed it but as I note there are much better Coen Bros. films. Their best films are really great so their lesser efforts clearly disappointed some critics but to be fair, not being as great as their best is still pretty darn good.

Shaun the Sheep Movie – Directors, Mark Burton, Richard Starzak

This movie has received rave reviews and very much deserves its nomination as Best Animated Feature although I suspect it will not win. It is aimed very much at a very young audience and since the Academy is not made up of kids it will be smiled at but not garner many votes. The animation is stop action which I also suspect is not everyone’s favourite. I liked it and the animation is great but again it raises several questions for me. Should there not be some recognition of the range, techniques and styles of animation and shouldn’t these be recognized with their own separate awards? Again we have a movie with no dialogue which again creates a style and approach that is not common in live action. Finally this is a kids movie. Is there any problem with having a category for children’s films? Live action or animated. It really doesn’t matter. Just so long as the very talented people who devote themselves to this kind of film get some recognition. Just saying.

Deadpool – Director, Tim Miller

Deadpool was not on my list of films to see until I heard Eli Glasner’s review. It started with him suggesting that the scene he showed during his review was the only one that the CBC’s rules would allow. The film has an R rating for a reason. It is very very funny, violent, full of foul language, nudity and very adult themes. I think that pretty much covers it. We are of course dealing with a Marvel product and it is well done, well written, and not too heavy on the special effects although they do play an important role so those of you who like them will not be disappointed. Oh yeah. It’s a love story too.

I really liked this movie despite making the mistake of attending on opening day. The theatre (and I went to the 2D, non-AVX etc version) was packed. There were people munching on everything you can imagine over and above popcorn, there were Susie seat kickers, Teddy texters, loudmouths talking through the whole film etc etc. It was totally annoying. So wait a week then go. This is a story about a super hero with a foul mouth, a low moral threshold and a red suit. The need for the latter becomes clear early in the film. Assuming you can tolerate violence as a comic element you will really enjoy your just under 2 hours of entertainment. Go for it.

Cartel Land – Director, Matthew Heineman

This is one of the 2016 Oscar nominated feature length documentaries. I recommend watching it either before or after you watch Sicario because it deals with the same topic only the real thing. The film follows two vigilante groups that are fighting the Mexican drug cartels. One is a US group of well armed men living in border towns in Arizona and the other is a group in central Mexico defending their homes and towns against the local drug gangs. The remoteness of the two areas has allowed the cartels to take over and the local populations have suffered as a result. Both areas are not adequately policed and so the citizens are on their own. Some decide to take on their own defence. The legal and moral issues that are looked at in Sicario are revealed here in stark reality. Both the cartels and the vigilantes are living in a lawless environment. While the vigilantes try to draw a distinction between themselves and those they are fighting the lines tend to blur. The moral compromising is illustrated with the occasional comments of a group of poor Mexican farmers who cook the crack cocaine and meth and grow the marijuana that the cartels sell. They are “philosophical” about it. Nothing will change and someone will do the job if they don’t. Its quite depressing to watch. A very good documentary but don’t take it from me. Rotten Tomatoes gives it 90% positive ratings and hey… it’s a Netflix production so easily available to everyone.

The Art of the Deal – Director, Ron Howard – I suppose

There is a website called Funny or Die that creates comic and satiric films and has been doing so for years. These films are often on youtube but you can also go to their website. I have no idea how they are funded or how it all works but they just released this 50 minute film of Donald Trump starring Johnny Depp as Trump and including a number of film and TV stars in supporting roles including Ron Howard and Henry Winkler among many others. It is ostensibly based on the book The Art of the Deal by Trump himself. It is clearly very low budget and has both good and bad aspects but basically it’s a hoot. I recommend you watch it as you suffer the never ending US election process. Depp is brilliant and while this will never find its way to the Oscars it is worth some kind of award. Enjoy. Link attached.

http://www.funnyordie.com/videos/ad38087bac/donald-trump-art-of-the-deal-movie?_cc=__d___&_ccid=0c60aaac504a2f45

Brooklyn – Director, John Crowley

Saorise Ronan (pronounced Sear-sha) is wonderful in this movie. Brooklyn tells the tale of a young Irish immigrant to America in the early 1950’s. The portrayal of her trauma from leaving her mother, sister and community to start a new life in NYC is heart wrenching. Ronan’s acting is superb and deserves recognition on February 28th. While I am a 7th generation Irish immigrant in Southern Ontario I found the experience of a new immigrant struggling between an old and new home very moving. Ultimately the opportunity of a new life wins out but I teared up a fair amount getting there. One of the most moving and beautiful scenes for me was early in the film. Ronan’s character is spending her first Christmas away alone and offers to come to the local parish to serve Christmas dinner to the street people, mostly men, who are also mostly Irish labourers now out of work and far from home. One is invited to stand up and sing, a capella, a traditional Irish folk song. Ronan’s character is brought to tears by this working man’s rendition of the haunting song Casadh an tSugain and with one listen you’ll understand why. Actually if you want to hear the song, go to this link: https://www.youtube.com/watch?v=al9-3mW6zw8 You don’t need any Celtic blood in your veins to be moved. Trust me.

Okay I confess, it is a real tear jerker of a movie and wonderfully acted by a cast who are young and mostly unknown here but in my opinion the absolute best of all the movies nominated for Best Picture. Hope it wins. 

A postscript. Unlike in Spotlight, the catholic church comes off much better in this film. I suppose it shows two sides of an ancient and complex organization. Ronan’s character would not have survived her trip or transition without the support of the priest and the parish in Boston. So it goes.

Mustang – Director, Deniz Gamze Ergüven

Mustang is nominated for Best Foreign Language Film and is a worthy contender. The film tells the story of five orphaned sisters in Turkey being raised by their very conservative uncle and grandmother. After a particularly exuberant walk home from school, the girls are pulled from school, locked in their home and trained to be married off. The three eldest are quickly locked into arranged marriages that they don’t want. Their reactions offer great insight into the struggle between the generations in Muslim culture. The two youngest girls are too young to be married and begin to plot their escape. The youngest, Lale, is the most liberated of them all and is the brains behind the resistance. At age 10 or 11 as best as I could guess, she leads the escape. One is left thinking what her plan is. Her plan is to go to Istanbul which is over 1000 km away. But this includes learning to drive so she can steal her uncle’s car and drive it 1000 KM and hey? how does she see two young girls surviving on their own in a big city. There is however a plan and it is revealed at the end. In fact, it is revealed at the very start of the film and I smacked my head for not seeing it. The oppression of women looks like it is going to win but in the end a somewhat happy ending for at least two of the sisters. Great film, not too long and very good.