Hannah Arendt – Germany – Margarethe von Trotta

Okay – this was worth my whole week at the Festival. I was totally surprised by this film. My postgraduate work was in philosophy and specifically 20th century European philosophy and Jewish existentialist theology (wowzers). I read Hannah Arendt’s The Origins of Totalitarianism and The Human Condition and I thought to learn something about this thinker and writer. However, the book that gained her notoriety and on which this movie is based was her report on the trial of Adolf Eichmann – Eichmann in Jerusalem: A report on the Banality of Evil. So instead of a somewhat academic look at a 20th Century German Philosopher, I was treated to a brilliant dramatic story of most unusual woman who demonstrated great courage and love.

As a Jew who was incarcerated in a detention camp in France in the Second World War and who only escaped to the US by chance she had much at stake when she was asked by the New Yorker Magazine to go to Jerusalem to witness his trial after he was abducted by the Israeli’s from Argentina. She was stunned by the proceedings and by Eichmann himself who came across as not one of the evil geniuses behind the Holocaust but as a minor and very mediocre bureaucrat who was simply following orders. He put the Jews on the trains but it was another department that dealt with them afterwards. He denied any culpability or guilt in the matter. He was just following orders. Once they were on the trains and off to their designated destinations, the rest was up to other departments. The film is a dramatic presentation of Arendt’s time in Israel and her return and the impact of her articles and ultimately her book on her career and reputation. One of the most dramatic aspects of the film is the newsreel footage of Eichmann’s testimony. It lends so much credence to her argument that the most extreme form of evil is ultimately so banal.

While many were upset at her description of Eichmann as a minor and mediocre bureaucrat the statements that got her most in trouble were related to her claim that the leaders of the Jewish communities in Europe were complicit in creating the Holocaust because they counselled their congregations and communities not to resist. This was seen by many to be blaming the victim when in fact Arendt, a Jew and someone who barely escaped being a victim of the Holocaust herself, saw this as just an extension of the totalitarian system and the banality of evil reaching even into the victims themselves.

The acting in this film is phenomenally good and the story compelling and engrossing despite the intellectual argument that flows through and drives the plot. I can’t recommend this film more highly to you all.

Hannah Arendt

Dangerous Liaisons – China – Hur Jin-ho

My next film after the vampires was a Chinese version of a classic French play Les liaisons dangereuses which has also been an excellent film in 1988 starring Glenn Close, John Malkovich and Michelle Pfeiffer. I highly recommend the latter but only if you can sit through a play that has yet to capture me despite seeing it performed by the Royal Shakespeare Company, great American actors (see above) and a couple of other performances including this one. I have to stop going to see it. At any rate the original is set in pre-revolutionary France and is supposed to show the moral decay of the aristocracy and how their games with one another’s love and affection backfires on them to demonstrate their disconnect from real human emotion. This one is set in pre-war, pre-communist revolution Shanghai (1931). The story is the same as two older and corrupted social dilettantes try to humiliate competitors by taking advantage of younger more naïve and uncorrupted lovers. The motivation and the overall story have no compelling element for me originally and this film even less so. I am not sure if it is that I don’t connect to dramatic Chinese acting or if it is the story itself but this was not a great film.

I will give credit for one element and that is set direction. The filming of 1931 Shanghai is very good and evocative but once the actors show up I am lost. The lead actress is Zhang Xia of Crouching Tiger, Hidden Dragon fame. If you loved her in that it might tempt you to go for this one.

Dangerous Liaisons

Byzantium – United Kingdom/Ireland – Neil Jordan

This is a vampire movie and I figured to broaden my experience of horror films I should get beyond Bella Lugosi and “I don’t drink……wine”. So I swallowed my aversion to Anne Rice and went to see this new film by Neil Jordan(Interview with a Vampire and The Company of Wolves among others). I was attracted because he also did Michael Collins which was amazing and not a horror film at all. Disappointed I was. It was so booorrrrriinng right up until the end when suddenly there was action and resolution but until then it was just gothic in the worst sense of the word. While sitting with another TIFF veteran waiting for my next film we got chatting about what movies were good and bad this year and I mentioned how much I was unhappy with Byzantium. He was surprised, had seen it with me as it turns out and thought it was wonderful. I guess you have to like vampires. I should note that this guy sees five movies a day and will see between 40 and 50 movies this week. I am not sure he isn’t confusing Byzantium with something else at that rate but who am I to judge. Let’s just say that if you like vampires you will likely enjoy this and if you don’t stay away. It is not a great film to introduce you to the horror genre.

The director was there for a Q and A afterwards and that was somewhat interesting but the movie is based on a book and part of the story was about how people became vampires. In the book they were taken off to Turkey and bitten by a giant bird but they didn’t have the funding for this so instead they used this isolated little island of the west coast of Ireland (The director is Irish afterall). At any rate this saved them big bucks and maybe that says something about the movie overall.

Byzantium

Inch’Allah – Canada – Anaïs Barbeau-Lavalette

From those wonderful people who brought you Incendies and Monsieur Lazhar comes another politically tinged dramatic film. Incendies won international praise as did Monsieur Lazhar, which by the way I thought to be pretty close to being a perfect movie, so my expectations were very high for this one. It is about a young Quebec woman and physician who is working at a United Nations sponsored women’s clinic on the West Bank in Palestine. She lives in Israeli Jerusalem but crosses the checkpoint every day to Palestine to her job. The film does an admirable job of portraying the conflict between Palestinians and Israelis through this lead character who has friends and lovers on both sides. I began to lose touch with this film when the Quebec physician basically chain smokes (I do not know many doctors in this time who smoke) and basically lives a very wild lifestyle while all the time pining for her home in Quebec. Also there is absolutely no explanation of why she would volunteer to work in a highly dangerous location. Her motives are completely mysterious.

So having already lost confidence in the reality of the character I was further disappointed in her relationship with a Palestinian man who really has nothing to offer her except his leaning toward terrorism and rebellion. This all the while her best girlfriend is an Israeli border guard. I think the producers and director wanted to write a pro-Palestinian story and support the case by having it observed through the eyes of a Canadian/Quebec Physician. Not sure if there was some line to be drawn here between the oppressive condition of the Palestine and Quebec but I will not go there. Nonetheless, having lived in Israel (which colours my perspective I suppose) I was very disappointed with the way in which the current conflict is portrayed and very unhappy with the way it is played out in this film. There are two important scenes in this movie. One is when her Israeli girlfriend confronts her and asks her why she is even there. The second is when her Palestinian friend and patient tells her go back where she came from. Since this had been crossing my mind throughout the film, I almost said out loud, “Right! Go home.” Politics from this production group are not nearly as sophisticated as those of Costa-Gavras. Enough said. I cannot recommend this film – go see Gatekeepers instead.

Inch’Allah

Mea Maxima Culpa: Silence in the House of God – United States – Alex Gibney

This film is a documentary that begins with the attempt by four men to confront the sexual abuse they suffered at the hands of a Catholic priest while children at a School for the Deaf in Wisconsin in the 1970’s. It goes far beyond that however as the director suggests this is the incident that opened the door on sexual abuse within the Church and the efforts of the Vatican to hide or deny it. The interviews with the four victims are very moving and this is interspersed with interviews with priests and clergy who either were instrumental in exposing the problem and those who worked to hide it and all those in between. It is a complex and difficult issue to pick apart but the director does a superb job. Chilling and yet intriguing we hear from a Canon law prosecutor/priest who to this day continues to bring charges against the guilty clergy, a Benedictine monk who treats the perpetrators and the victims, a retired priest who once covered up for the guilty, a gay archbishop who tried to intervene but backed away when his own misdemeanours were exposed and on and on. But ultimately this film is about the victims and the courageous fight they still wage to bring the Church to acknowledge its crimes and act with dignity to the victims rather than the priests who committed these crimes against those entrusted to them.

Mea Maxima Culpa

The Company You Keep – United States – Robert Redford

This was fun movie for a child of the 60’s. It is set in 2012, 30 years after the Weather Underground, homegrown terrorists and anti-Vietnam activists have gone truly underground following a botched bank robbery and the murder of a security guard. The FBI is still hunting them but they have all managed to find new identities and roles and, of course are now older and wiser. Redford stars as one of the group who is exposed after a fellow activist (played by Susan Sarandon) is arrested. Tracked by a young, naïve but intrepid journalist (Shia Lebeouf), he runs but where and why is the story of the film. I am not sure if anyone born after 1980 will understand all the elements of this story but it certainly took me back to the days of the late 60’s and early 70’s, the SDS, Jerry Rubin, Abbie Hoffman, and the Chicago Seven trial. Redford is a very good director and this movie smacks of Hollywood big time. This is not all bad. Redford is also able to command a great array of stars to give cameo but key roles in the movie including Stanley Tucci, Susan Sarandon, Nick Nolte, Sam Eliot, Chris Cooper, Terrence Howard and Julie Christie to name a few. Well-paced, well written, a fun ride particularly if you are over 60 but even if you aren’t. Not Oscar worthy but worthy of the price of admission. Enjoy.

The Company You Keep    

Writers – United States – Josh Boone

Again we had the whole cast and the director there for the presentation. Biggest name? Greg Kinnear who is the star in name but is overshadowed not unwillingly but a superb young cast who play his coming of age kids and their first loves. The Chair of the Board of Directors of TIFF introduced the film and clearly was out of place and unsure how to introduce the cast. It was sadly very awkward but still great to see them. The Chair suggested to us that the movie was a hilarious look at relationships as the come apart and come together again. Well… hilarious it’s not, touching, warm and insightful it is. I found myself thinking alternatively that this was a typical melodramatic Hollywood treatment of love lost and won, but the young cast kept it from becoming that and it became very moving for me. So while not hilarious, there is humour and the story is entertaining, well-paced and you really care about all the characters. It’s a film about writers and it is very well written. It will be out this fall and definitely worth a night out. Hey even Stephen King has a cameo.

Writers

Le Capital – France – Costa-Gavras

We all know Costa-Gavras right? “Z”, State of Siege”, “Missing” all great left wing (far left wing) brilliant films that highlighted major issues of their time. This year Costa-Gavras has given us his look at the banking crisis and the banking industry in general and it is a brilliantly satirical look too (although not funny at all). It tells the story of a young and ambitious banker who has definite insight into the moral and ethical lines he is crossing as he is promoted CEO of a major European Bank at a critical time in it’s development. He is placed there by manipulative investors who hope to take advantage of his inexperience through greed and seduction. I will not give away the plot but racing back and forth among Paris, Miami, New York, London and Tokyo, it is an exciting and sexy economic thriller if such a thing can exist. It follows many twists and turns right up to the final lines (which are great!!) and the fade to black. No matter what your politics you cannot help but enjoy a master film maker and story teller in action.

Big thrill for me was having the man himself there as well as the lead actor. I have loved his films from when I first saw “Z” in 1969, (yes I am that old!), and I urge you all to hunt them down on DVD and watch just to be entertained and to have your eyes opened. He is a great Director. Enough said.

Le Capital

Thermae Romae – Japan – Hideki Takeuchi

Hmmm…. Thermae Romae? Roman Baths? This is a Japanese film? Yep!

This was a total surprise for me. I saw it at Roy Thompson Hall which was maybe half full but almost entirely of the Toronto Japanese youth. I felt old and very European. The movie is a comedy that is currently one of the most popular films in Japan and the connection between Japan and Rome is that both cultures are very keen on public baths. It is based on a Manga (look it up) novel. Basically a graphic novel as we know them here, that tells the story of a Roman architect ordered by Emperor Hadrian to build a personal bath house for him alone. Lacking confidence in his own ability he is not sure where to start but as fortune has it he accidentally tumbles on a time vortex that takes him to modern Japan. Hilarity ensues as ancient European culture encounters modern Japanese culture. Some of the funniest scenes include our Roman architect and hero encountering modern Japanese plumbing (toilets). Let’s just say the modern Japanese toilet has many features our common household toilets lack. He takes back the ideas he finds to ancient Rome and of course succeeds beyond Hadrian’s and the Roman public’s wildest dreams. There is much more the story and he make multiple trips and there is a love interest in Japan and political challenges in Rome to overcome.

A surprising film and story that is wholly Japanese. Even the Romans are played by leading Japanese actors. The lead in this film is Hiroshi Abe who is a young and handsome heartthrob in Japan. He and the director and many of the cast were there and as he was introduced the Japanese fans (particularly the women) were greatly appreciative. I hope it comes to general release in Canada and if it does I really urge you to see it despite is being all in Japanese but with good subtitles. It is a funny movie that will introduce you to a new cultural experience.

Thermae Romae

Gatekeepers – Israel – Dror Moreh

I love the documentary program at TIFF. There are always some amazing films that may not see the light of general release but challenge us with new perspectives and ideas. This film is no exception. I saw it at the recently renovated Bloor Cinema, home of the Hot Docs Festival. It is a great venue and well worth the visit near Bathurst and Bloor. But enough of that – on to the movie.

It is an series of interviews with the current head of Shin Bet and five of his predecessors. Shin Bet is the successor to the Mossad, the Israeli secret service charged with preventing terrorist attacks within Israel and against Israelis. It is a highly effective agency as Israel has been incredibly successful at preventing attacks against its citizens. These men are stunningly open about what they have done and why and their own moral evaluation of what they do and have done. They are also apolitical, non-ideological and incredibly insightful, self-reflective and intelligent. The interviews are interspersed with video of the outcome of terrorist attacks and targeted strikes against the perpetrators. The film is not all about defence against the PLO, and later Hamas and Hezbollah but also about taking down Israeli conspiracies to kill hundreds of Palestinians and destroy the Dome of the Rock in Jerusalem.

The director was there and stayed for a Q and A after the film. He is a crusader for peace in the Middle East and his film has already had an effect. The men he interviewed were supportive of his efforts. Rather than right-wing ideologues dedicated to the destruction of Israel’s enemies they are much more complex. As one said, “When you have done what I have done, seen what I have seen, — when you leave, your politics are left wing”.

This film may have some international attention. It will feature at the New York City Film Festival later this fall and after that it would be great to see it in general release. See it if you can.

Gatekeepers